FREQUENTLY ASKED QUESTIONS
PROJECT PLANNING & SERVICES
Find clear answers about architectural, interior, commercial, landscape, aerial and residential photography in Greece. Use the categories below to quickly find information about planning, preparation, pricing, licensing, delivery and image usage.
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- Architectural Photography FAQ
- Commercial Photography FAQ
- Interior Photography FAQ
- Landscape & Aerial Photography FAQ
- Residential Photography FAQ
Yes, this imagery is created to a standard suited to brochures, portfolios, and other developer marketing materials.
Yes, ongoing arrangements for agencies with recurring listing needs can be set up — get in touch to discuss a package.
Delivery is usually within a few days, depending on the scope of the project. An expected delivery date is agreed when the shoot is booked.
Yes, most residential sessions cover both, giving a complete presentation of the property.
Yes, this is a regular part of my residential work, helping owners present short-term rental properties at their best.
Declutter each room, put away personal items, and make sure outdoor areas are tidy — a short prep checklist can be provided ahead of the shoot.
This depends on the size of the home and shoot duration — we’ll set expectations on image count during the consultation.
Aerial coverage can be added to residential packages, particularly useful for showing grounds, pools, or coastal properties.
Yes, licensing for real estate marketing use is straightforward to arrange.
Yes, twilight photography — showing the home glowing against the evening sky — is a popular option, especially for villas and luxury listings.
Most homes take a few hours, depending on size and whether both interior and exterior are included.
Yes, though for the best results I’d recommend photographing once renovation or staging is complete — we can also document progress if that’s the goal.
Yes, my portfolio spans luxury villas and estates as well as smaller residential homes and apartments.
Yes, it works well for listings as well as for portfolios, marketing materials, and personal archives of a home.
A consultation, the photography session covering interior and/or exterior, and professionally edited, high-resolution final images.
Yes, I’m happy to sign NDAs for projects that require confidentiality, particularly ahead of a launch or campaign.
This varies by location size and travel time between sites — we’ll plan an efficient schedule together based on your list of locations.
Video and aerial video can be included alongside stills — let me know your needs when planning the project.
Yes, sharing brand guidelines or reference imagery beforehand helps ensure the final photography aligns with your brand’s visual identity.
This depends on project scope and editing requirements — an expected delivery date is confirmed when the project is booked.
Yes, I regularly collaborate with agencies and in-house marketing teams on commercial projects.
Yes, deliverables are typically prepared in formats suited to both print and digital, including social media use.
Yes, this can be arranged for clients who need exclusive or extended usage rights — it’s factored into the project quote.
Projects are quoted case by case based on scope, location, usage rights, and deliverables — reach out for a tailored quote.
Yes, hospitality photography — properties, interiors, amenities, and grounds — is a core part of my commercial work.
My core focus is spaces and architecture rather than product photography, though this can be discussed depending on the project.
Commercial licensing generally covers advertising and promotional use and is priced accordingly; editorial licensing is typically for news, articles, or publications and comes with different terms.
Usage rights are agreed per project — from limited use to broader or exclusive licensing — and outlined clearly before the shoot.
Yes, commercial imagery is created with marketing and advertising use in mind, and licensing can be scoped for campaign use.
Real estate, hospitality, tourism, developers, and luxury brands make up most of my commercial client base, alongside occasional editorial and corporate work.
High-resolution stills and video suitable for both print/broadcast and digital/social use.
Aerial work is typically quoted as an add-on to a shoot or as its own package, depending on the scope — happy to provide a tailored quote.
Yes, additional permits or restrictions apply near airports and certain restricted zones. I handle this assessment as part of project planning.
Yes, this is one of its biggest strengths — showing grounds, pools, coastline access, and layout in a way ground photography can’t.
Spring and early autumn often give the best light with fewer crowds, though each destination and project has its own ideal timing depending on your goals.
Yes, selected international assignments are available — my portfolio includes destination work beyond Greece.
Legal altitude limits apply and vary by drone category and airspace — I operate within current regulations for every flight.
Yes, drones can capture both stills and video — let me know during planning if video is part of what you need.
Yes, this is a regular part of my work for hotels, resorts, and travel brands looking to market a destination or property.
Low wind and clear or lightly clouded skies give the best results. Flights are rescheduled if conditions aren’t safe or suitable.
Yes, certain coastal, archaeological, and protected areas have flight restrictions. I check applicable rules for each location before flying so we’ll know.
Yes — pairing aerial and ground photography in the same session is common and gives a fuller picture of a property or location.
All over Greece — including Athens, Mykonos, Santorini, Crete, Paros, Corfu, the mainland, the Peloponnese, and the Ionian Islands — plus select international destinations.
Commercial drone operation in Greece requires proper licensing and registration, which I maintain — happy to confirm specifics for your project on request.
It’s photography captured from a drone, useful for showing scale, layout, and context that ground-level shots can’t — a villa’s grounds, a coastline, or a property’s setting within the landscape.
Turnaround depends on project scope — I’ll confirm an expected delivery date when we schedule the shoot.
Wide-angle coverage is standard for interior work; panoramic or 360° formats can be discussed if your project needs them.
Yes, this imagery is created to portfolio and publication standard and is regularly used by interior designers for exactly that purpose.
This depends on room size and complexity, but most sessions cover multiple rooms in a single day — we’ll map this out during the consultation according to your specific needs.
Yes, hospitality photography — rooms, lobbies, restaurants, and amenities — is a regular part of my work.
Declutter surfaces, put away personal items, and have any styling elements (florals, decor) ready in advance, for a detailed guide we will arrange prior the photoshoot date.
Yes — twilight interior photography, where interior lighting is balanced against the evening sky through the windows, is available and often used for hospitality and luxury residential work.
Yes, minor retouching to remove distracting objects or clutter is part of standard post-production.
A typical home takes a few hours, depending on the number of rooms and the level of detail required.
Yes, from private homes and villas to hotels, offices, and commercial interiors.
Yes — wide-angle techniques and careful composition make even compact rooms read as spacious and well-proportioned.
Through a mix of natural light management, supplemental lighting, and exposure blending in post-production, so spaces look balanced and true to how they actually feel.
Professional full-frame cameras with a series of professional grade wide-angle lenses and tripod alongside lighting equipment where natural light needs support, to keep lines straight and spaces feeling true to scale.
Absolutely, A tidy, styled space photographs best. I can advise on preparation beforehand, and minor styling adjustments can be made on the day.
Interior photography concentrates on individual rooms and spaces — layout, light, materials, and atmosphere — while architectural photography also covers the building’s exterior and its relationship to its surroundings.
I’d recommend booking a few weeks ahead where possible, especially for projects that depend on specific light, weather, or seasonal conditions.
Yes — my portfolio spans contemporary villas and buildings as well as neoclassical and historic residences, including restoration projects.
Yes, my architectural work is created to editorial and publication standards and has been used for exactly that purpose in many projects.
High-resolution files suitable for print and publication, plus web-optimized versions for digital and marketing use in any specific resolution you may need.
This depends on the scope of the project and shoot duration — we’ll agree on an expected image count during the initial consultation.
I deliver professionally retouched, final images as standard. RAW files can be discussed for specific project needs.
For exterior-dependent shoots, we can reschedule to the next available date with good conditions. Interior photography can usually proceed regardless of weather.
A consultation to understand the project, the shoot itself, and professionally edited, high-resolution final images delivered digitally. Add-ons like aerial coverage or twilight shots can be included on request.
Yes, construction-progress photography is available for developers and architects who want to document a project from groundbreaking to completion.
Yes, aerial photography is available and often adds valuable context — showing a building’s footprint, setting, and relationship to its surroundings.
Architectural photography focuses on the design intent of a building — form, materials, light, and spatial composition. Real estate photography is built for fast property marketing. My work is closer to editorial and portfolio-grade imagery for architects, developers, and publications.
It varies with the size and complexity of the building. A single structure typically takes a few hours; larger developments or multi-building projects may need a full day or more.
I’m based in Athens but shoot across Greece, including Mykonos, Santorini, Crete, Paros, Corfu, the Peloponnese, Ionian Islands plus select international assignments.
It depends on the building’s orientation and the mood you want. Golden hour and blue hour (twilight) are common choices for exteriors, while interiors are often best shot in soft, even daylight.
Yes. Most architectural commissions cover the full building — exterior form and context, then interior spaces — so the project reads as one coherent story.